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"That is my affair," he said. "Perhaps I have been prepared for this--perhaps I have had a watch kept on you. But no matter. We have had time and we are ready. Will you come and see the Countess now?"

"Of course, it wants a bit of explaining away," he said. "Still, supposing for argument sake you were the thief, how could we possibly connect you with the corner house and the poor fellow who was murdered there?" このページの先頭です
ONE:One thing more must be noticed, a matter of some intricacy, but without which, all that has been explained would fail to give a proper idea of steam-hammer-action. The valve motions are alluded to."And the mending will be a matter of time?"
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TWO:What was wrong?

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TWO:In the meantime they themselves had a word or two to say about the fright I gave them; for when I stood at the door they mistook me in my sporting habit for a German officer, and the top of my water-bottle for the butt of a revolver!

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TWO:"I've done more than that, sir," said Prout. "I've stumbled on something important relating to that Corner House business. And if you don't want me any more, I'd like to go and see Mr. Gilbert Lawrence."A planing machine invented by Mr Bodmer in 1841, and since improved by Mr William Sellers of Philadelphia, is free from this elastic action of the platen, which is moved by a tangent wheel or screw pinion. In Bodmer's machine the shaft carrying the pinion was parallel to the platen, but in Sellers' machine is set on a shaft with its axis diagonal to the line of the platen movement, so that the teeth or threads of the pinion act partly by a screw motion, and partly by a progressive forward movement like the teeth of wheels. The rack on the platen of Mr Sellers' [134] machine is arranged with its teeth at a proper angle to balance the friction arising from the rubbing action of the pinion, which angle has been demonstrated as correct at 5°, the ordinary coefficient of friction; as the pinion-shaft is strongly supported at each side of the pinion, and the thrust of the cutting force falls mainly in the line of the pinion shaft, there is but little if any elasticity, so that the motion is positive and smooth.

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TWO:"I do," Maitrank snapped. "I wish you to act at eleven o'clock tomorrow night. No need to stare at me like that, sir. I know what I am doing. And I am prepared to pay you handsomely for your services."

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TWO:As they moved slowly along Larry, fending off a clump of tough grass into which the breeze sought to drift their rubber shell, caught sight of something dimly white, far in among the muddy grass roots.Ren Lalage confessed himself puzzled. Compatriots had shown him the paper, but he had forgotten. There was a headpiece to the paper with a woman on it blowing a trumpet. It seemed to be all actors and the like.
THREE:CHAPTER V MYSTERY IN THE FOGPerhaps no subject has gained so much from the application of the new historical method as that which we have now to study in its connexion with the progress of Greek philosophy. This is the religion of the Roman empire. On199 former occasions, we have had to observe how fruitful was the interaction between faith and reason in the early stages of Greek thought. We have now to show how the same process was continued on a greater scale during its later development and diffusion. The conditions and results of this conflict have sometimes been gravely misconceived. We have said that in more than one direction important advances were made under the empire. In the direction of pure rationalism, however, there was no advance at all, but, on the contrary, a continual loss of the ground formerly won. The polytheism which Christianity displaced turns out to have been far more vigorous and fertile than was once supposed, and in particular to have been supported by a much stronger body not only of popular sentiment, but, what at first seems very surprising, of educated conviction. We were formerly taught to believe that the faith of Homer and Aeschylus, of Pythagoras and Pheidias, was in the last stage of decrepitude when its destined successor appeared, that it had long been abandoned by the philosophers, and was giving place in the minds of the vulgar to more exciting forms of superstition newly imported from the East. The undue preponderance given to purely literary sources of information is largely responsible for an opinion which now appears to have been mistaken. Among the great Roman writers, Lucretius proclaims himself a mortal enemy to religion; Ennius and Horace are disbelievers in providence; the attitude of Juvenal towards the gods and towards a future life is at least ambiguous, and that of Tacitus undecided; Cicero attacks the current superstitions with a vigour which has diverted attention from the essentially religious character of his convictions; Lucian, by far the most popular Greek writer of the empire, is notorious for his hostility to every form of theology. Among less known authors, the elder Pliny passionately denounces the belief in a divine guidance of life and in the immortality of the soul.306200 Taken alone, these instances would tend to prove that sceptical ideas were very widely diffused through Roman society, both before and after the establishment of the empire. Side by side, however, with the authorities just cited there are others breathing a very different spirit; and what we have especially to notice is that with the progress of time the latter party are continually gaining in weight and numbers. And this, as we shall now proceed to show, is precisely what might have been expected from the altered circumstances which ensued when the civilised world was subjected to a single city, and that city herself to a single chief.
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THREE:Plato had begun by condemning poetry only in so far as it was inconsistent with true religion and morality. At last, with his usual propensity to generalise, he condemned it and, by implication, every imitative art qua art, as a delusion and a sham, twice removed from the truth of things, because a copy of the phenomena which are themselves unreal representations of an archetypal idea. His iconoclasm may remind us of other ethical theologians both before and after, whether Hebrew, Moslem, or Puritan. If he does not share their fanatical hatred for plastic and pictorial representations, it is only because works of that class, besides being of a chaster character, exercised far less power over the Greek imagination than epic and dramatic poetry. Moreover, the tales of the poets were, according to Plato, the worst lies of any, since they were believed to be true; whereas statues and pictures differed too obviously from their originals for any such illusion to be produced in their case. Like the Puritans, again, Plato sanctioned the use of religious hymns, with the accompaniment of music in its simplest and most elevated forms. Like them, also, he would have approved of literary fiction when it was employed for edifying purposes. Works like the Faery Queen, Paradise Lost, and the Pilgrims Progress, would have been his favourites in English literature; and he might have242 extended the same indulgence to fictions of the Edgeworthian type, where the virtuous characters always come off best in the end.